Monthly Archives: August 2006

On my mind…

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Filed under Photography

There are two things I’ve been thinking about today.

One is about EarShock - one of my ongoing projects - and the other is about how much I’m looking forward to using my camera again. Especially shooting in the RAW format.

EarShock.com has just had a bit of a face-lift. I’ve used the Joomla Open-Source Content Management System to organise the information, created a new logo and added a few reviews that I pilfered (yet referenced) from Amazon and other sites just to temporarily bulk up the website. Take a look and let me know what you think.

Regarding photography, I’ve decided that shooting photos in RAW is great. Really great. A RAW image on my camera is a lot bigger than a normal capture - approx 9Mb per photo. This is because a RAW photo is the digital equivalent of an undeveloped negative when shooting with a film camera. Nothing is applied to the photographs such as white-balance, colour filters, contrast and even saturation. You get the raw image and you edit it, as you please, on your computer.

Another great advantage is that instead of dealing with the usual 256 colour layers as in a normal photograph, RAW has 65,536 - allowing you great flexibility when editing the picture to emphasize or dull-down parts of the photo as required. I’m getting a RAW-fetish and I don’t even fully understand the medium yet!

Last week I saw one of the most beautiful skies of my life and decided to take a photograph. Below are two shots that came out well, edited slightly, but differently, in RAW. You can click on them to see a slightly bigger version.

Red Sky At Night... (view over Cardiff) Red Sky At Night... 2 (view over Cardiff)

Shelter?

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Filed under Everything Else, Photography

Today is the last day you can enter a photograph for the second round of the Photographer of the Year competition. This round has the theme ‘Rock and Roll’. The first round though has come and gone and the theme was ‘Shelter’.

I was slightly disappointed when I realised that round one was over and round two was upon us - I had planned to enter the competition and had a few good ideas for photographs I could send in. I completely overlooked the deadlines, forgetting that they were here already.

This seems to be happening a lot recently though: time passing fast without many things being achieved. Is this what life is like once you become settled into a full-time job? Do the working days just pass as a blur with no defined start and end? Weeks, sometimes months, going by completely inconspicuously aside from maybe a couple of memorable nights out seeing a band, going for a nice meal or just relaxing at home with someone when you’ve had a tough day. Apart from these events, the month is forgotten.

Away from my digression into whether or not I’m losing track of time, having a breakdown or maybe just completely “normal”, I was discussing the Photographer of the Year competition. So, the ‘Shelter’ round is over and the photos are up for the public’s vote here. I was slightly disappointed at the selection process – the theme is Shelter and it seems the judges have taken the most obscure definition of the word and applied this to the photos coming in to them.

There is a photo of the Aurora Borealis, a dog being held by a young boy and a landscape at sunset with a man sitting on a chair. Now, I know as an artist one is allowed to have some degree of ‘poetic license’ but I believe some of them are taking this right a bit too far. I can gladly accept that the dog is being sheltered from the harsh reality of life by the young boy (or some other pseudo-intellectual description trying to find meaning in a simple photograph taken as it looked good through the viewfinder)… but the Aurora Borealis? Shelter? I have to disagree on this one, and unfortunately it’s winning the votes by a very, very long way. Mainly, undoubtedly, due to the fact that it looks ‘nice’.

Take a look at the photographs and vote for your favourite, but keep the word ‘shelter’ in the back of your mind while choosing. It may not be easy to take a good photograph, but it’s harder still to take a good photograph relating to specific theme, so give those who took the extra time and effort some respect. Look at the colours depicted, the composition and the ingenuity. I voted for Michelle Nold’s photograph of a shack in Missouri after an ice storm. It’s beautiful.

So, Rock and Roll is upon us now and I would like to send in an entry. Unfortunately I haven’t had time to think about this and haven’t been out with the camera for a few days as I’ve been away. I think I’ll just send in a photo of Green Day from when I went to their 2005 American Idiot gig in Cardiff – maybe I’ll get lucky. I had thought of having a photo of someone throwing a television set out of a window or something similar: it’s synonymous with Rock and Roll and could have been made to look quite dynamic but would have required a fair bit of time to setup.

Well, enough moping about missed opportunities – I need to make this month count but doing something amazing: or at least memorable!

UK Terror Alert System

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Filed under Politics

Today the UK Intelligence services decided to make public the country’s new Threat Level System. This is akin to the American Department of Homeland Security’s Advisory System. The levels on the British system are as follows:

• Low - an attack is unlikely
• Moderate - an attack is possible, but not likely
• Substantial - an attack is a strong possibility
• Severe - an attack is highly likely
• Critical - an attack is expected imminently

Today it is ‘Critical’. That is all the information the Home Office and MI5 have released. Thank you for the warning.

To me, the definition of terrorism includes an actual act of violence – such as exploding bombs on trains or flying jet liners into skyscrapers. It is also the instilling of terror into the people of a country, causing them to live their daily lives in fear. Do you see where I’m going with this? A threat level system such as this is ineffective and instigates terror itself, echoing the tactics of the terrorists themselves.

This country has been dealing with terrorist threats for decades, as have many other European countries. We’ve never had a threat level system in place in the past and anti-terrorism policies have done their job well. Look at Israel: this country undoubtedly deals with more terrorist threats than any other, yet when they release a terror alert they give specific times, places and many other details that the residents can effectively use.

I’m not saying that our country should reveal detailed threat information though – this would only work in such a place as Israel where the threat is continuous already. In Britain, releasing information like this would have a detrimental effect: we love to panic and this would put us in overdrive – we are not used to threats such as this in Britain, and specific details would cause widespread alarm. The Daily Mail would have a field day and Esso would record huge profits (again).

The work undertaken by our intelligence service is covert for a reason. The majority of the work undertaken to prevent terrorist attacks in the past occurred in secret – and the results were never publicised. We know the government can’t protect us from 100% of all terrorist threats but we also know that there are thousand of unsung heroes working around the clock to protect us from as much as humanly possible.

Why the threat levels then? I read the following in 2004, written by Bruce Schneier and it echoes my thoughts today exactly:

“There are two reasons [governments like] terror alerts. Both are self-serving, and neither has anything to do with security.

“The first is… a common impulse of bureaucratic self-protection. If the worst happens and another attack occurs, the [public] isn’t going to be as sympathetic to the current administration as it was last time. After the September 11th attacks, the public reaction was primarily shock and disbelief. Next time, the public reaction will quickly turn into anger, and those in charge will need to explain why they failed. The public is going to demand to know what the government knew and why it didn’t warn people, and they’re not going to look kindly on someone who says: “We didn’t think the threat was serious enough to warn people.” Issuing threat warnings is a way to cover themselves. “What did you expect?” they’ll say. “We told you it was Code Orange.”

“The second purpose is even more self-serving: Terror threat warnings are a publicity tool. They’re a method of keeping terrorism in people’s minds.”

Essentially, Bruce Schneier gives a coherent and respectable argument that the American threat levels were put in place as a publicity tool for Republican re-election.

If these alerts remain so vague and occur frequently, the public shall start to ignore them, possibly even mocking them like many Americans do today. If the government ‘cries wolf’ too many times, we will become accustomed to having a threat level and start to ignore it.

Again, Schneier states that: “…people want to make their own decisions. Regardless of what the government suggests, people are going to independently assess the situation. They’re going to decide for themselves whether or not changing their behaviour seems like a good idea. If there’s no rational information to base their independent assessment on, they’re going to come to conclusions based on fear, prejudice, or ignorance.”

I’m not an advocate of Threat Level systems. Are you?

(The above references greatly from Bruce Shneier’s 2004 Do Terror Alerts Work? essay.)

Bruce Schneier – Do Terror Alerts Work? | UK Home Office | MI5